Only to then be abandoned with her three younger sisters by her father. Audio track — is a set of recorded sounds combined into one or more channels. Duele Amar - Capitulo 163, Duele Amar - Capitulo 163, Duele Amar - Capitulo 163 Looking for something to watch?

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In this love trip in which the audience becomes a mere voyeur, intentioned with success by the filmmaker, of that young passion of a strong intensity that approaches to the obsessive, will arise the insecurity, the fears, the jealousy and the collide with the reality that is the inexorable step before the maturity. Welcome to a platform where professionals can meet and exchange information and ideas. A deep and intense film, feature-film debut of Madrid director Esteban Crespo, who shows in a direct way, without concessions, that first great love in life that generates so many and so many passions inseparably linked to those emotional incongruities that make that all young hearts, that we have all been once, make real crazy for love and for loving. Adam's a filmmaker. SLEEPING WITH OTHER PEOPLE (2015) by Leslye Headland, EL JUGADOR DE AJEDREZ (2017) by Luis Oliveros, MARIE’S STORY (2014) by Jean-Pierre Améris, THE STOPOVER (VOIR DU PAYS) (2017) by Delphine Coulin & Muriel Coulin. Anyone who has seen these will recognise their themes and characters in this debut feature by the filmmaker, which was presented in the official selection in competition at the 20th Málaga Spanish Film Festival, even though the actors are different: in the short film Amar, it was Aida Folch and Alberto Ferreiro who played the characters, with original variations on their sexual roles, whereas this time we have first-time actress but well-known instagrammer María Pedraza and Pol Monen (Los niños salvajes [+see also: trailerfilm profile]) in the opening scene of this film. Maybe for a few moments can give the impression, personally don’t think so, that the film uses a modern aesthetics like it was a video clip as in the sequence of the party or in some moments of the footage but always this aesthetic justified to tell a story and not the opposite, and that’s consists the cinema…. And their love life is off the chain. Keep track of everything you watch; tell your friends. These words perfectly reflect what maturity and adult common sense know through experience, but that is something totally opposite to that marked intensity of that first true love that is what it wants to show, and brilliantly achieves, this film. Everyone wants love but no one can seem to get it from the right place. Amar is the debut feature film by Spanish director Esteban Crespo.

As a young girl Ana was a rebellious child. But purity is fragile, as the minutes and sequences that follow show: society, friends, and that big school of life and behaviour that is family tarnish and cast a shadow over that which seemed so pure, strong and indissoluble.

There's no experience too wild, no dare too dangerous -- not even when Jill lets Adam strap her to a gurney in ... See full summary ».

RAYMOND WEIR is a shut in computer genius surviving in the post dot-com era. Disabled as a result of a home invasion that took the life of his late wife, SARAH, Raymond sits in his ... See full summary », A young girl loses her mother and brother all in one day. From the cast highlights the performance of the two young leading actors, Pol Monen and María Pedraza, with little experience on the big screen, only Catalan Pol has had secondary roles in films like “Elisa K” (2010) and “Los Niños Salvajes” (2012), both make a fantastic performance that hopefully will be rewarded with a future nomination to the Goya Awards as best new actors, if this happened, would be something well deserved. Amar (2009) Soundtracks. Avalon D.A. Use the HTML below. Typically, this a mix of four basic elements: speech (dialogue, voice-overs), environment, sound effects, music. The cast is completed by Natalia Tena, Gustavo Salmerón, Greta Fernández, Antonio Valero and Nacho Fresneda. This FAQ is empty. Directed by Esteban Crespo. Around them we gonna know their closest beings; Merche (a magnificent Natalia Tena) Laura’s mother, Pablo (Gustavo Salmerón) Merche’s couple and Laura’s stepfather, the great Valencian actor Antonio Valero as the father of Carlos and the inseparable friends of Laura; Lola (a fantastic Greta Fernandez), Marta (María Caballero) and Susana (Paz Muñoz), debut on the big screen by the latter two. Laura and Carlos mature and lose faith in pure feelings, but will always remember those moments they spent together as one, unique, pleasant, and once in a lifetime. With Luis Ernesto Franco, Diana García, Tony Dalton, María Aura. Experience that hopefully can be repeated in the future because for all the lovers of the seventh art, including me, it’s something very special to be able to live from within the creation of a film. I already had that feeling to see them interact on the set and it has been confirmed when I have seen the film, brings me to mind that great performance of that mature couple in the fiction played by Francesc Garrido and Nora Navas in “La adopción” by Daniela Fejerman.

As the director, Esteban Crespo, told me, the choice of these two themes was agreed with the leading actress Maria Pedraza, certainly, fit perfectly and are a great choice. Amar starts on a high, as the scene that opens it, shot in a clean room flooded with light and bright colours, shows the absolute devotion, with no prejudice or fear, of a young heterosexual couple: Laura and Carlos, as they bravely experiment with their sexuality, placing blind faith in one another. The story tells the course of that first great passionate love in the adolescence of Carlos (Pol Monen) and Laura (Maria Pedraza), young lovers of 18 and 17 years respectively, that they love each other as if every day was the last, a love that sometimes surpasses them but that totally fills their lives and has become the leitmotif of their existences. As a final personal thought that could also be considered as one of the few reservations to this film, it would be the fact that this intense love story that the two protagonists live plays a little with the feeling of the identification of the audience, in other words, that you go back to that first love of the adolescence that we all had and, of course, there will be people who will enter in this kind of emotional flashback and others who will not, and this movie if you don’t enter full in it and feel you identified in a greater or lesser measure with what the story tells you runs a serious risk of end up not liking, and I say that it has not been my case at all.

Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later. Now an adult, she is once again tormented by shadowy, other-worldly forms. Directed by Jorge Ramírez Suárez. Carlos and Laura are two kids entering into adulthood, leaving behind their delusions, dreams and truths to slowly but surely embrace contradiction, trickery and betrayal.

It is a film that portrays the ups and downs of your first romance, the one we experience when we are young and inexperienced, and imbued with extreme emotion, intensity, affection, passion and truth. A pair of strangers become subconsciously connected after their recurring dreams turn into reality. Add the first question. And so the light we see at the beginning of Amar gradually fades away, as the characters enter more industrial, dark and chaotic environments and situations. According to the director Esteban Crespo’s own words in the making of the film: “I think we will be satisfied if we can create the feelings in the viewer that he had when he was in love for the first time. In the technical section you can analyze interesting aspects; the cinematography by Angel Amorós with that effective game of lights, those camera movements following the characters wanting to show a near direct follow-up of the action by the audience part to give a greater “nouvellevaguiano” realism, or those close shots of continuity that bring so much dynamism to the action. is distributing the film in Spain, whilst Global Screen will handle sales. Jill's an artist. Whether Susana is turning down Carlos, Joel is bending over backwards for Patricia, Gabriel is waiting for Martha, or Amando is trying his luck with an American girl, everyone seems to be unlucky in love as passions flare south of the border. Cineuropa is the first European portal dedicated to cinema and audiovisual in 4 languages. Amar starts on a high, as the scene that opens it, shot in a clean room flooded with light and bright colours, shows the absolute devotion, with no prejudice or fear, of a young heterosexual couple: Laura and Carlos, as they bravely experiment with their sexuality, placing blind faith in one another. 20/04/2017 - The debut feature film by Spanish filmmaker Esteban Crespo respectfully, aesthetically and sensitively explores the overwhelming, intense and extremely fragile subject of one’s first love.

Amar is a production by Avalon P.C., Filmeu and Amar la Película AIE, made in partnership withTVE, ICAA, ICO, Filmin and Generalitat Valenciana. Laura and Carlos love each other as if every day was the last, and perhaps that first love intensity is what will tear them apart a year later. Governor Vargas worried about... See full summary ». If we have succeeded in bringing back to his memory that first love”. Travel back in time to check out the early roles of some of Hollywood's heavy hitters. In addition, stand out with very good performances in two supporting roles, Natalia Tena, Spanish actress of international projection who has participated in the “Harry Potter” saga or in the “Game of Thrones” series, and Greta Fernández, actor Eduard Fernández’s daughter, in the role of the friend of the protagonist. Tanya Hope joins cast of Ravi Teja’s ‘Disco Raja’. In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other.

Everyone wants love but no one can seem to get it from the right place in director Jorge Ramirez Suarez's urban romantic comedy.

View production, box office, & company info, Rated R for strong sexual content, nudity and language throughout, Vikram's next with Ajay Gnanamuthu titled 'Cobra', motion poster out. She plans to get to the United... See full summary », Packard Schmidt is a burnt-out, middle-aged college English professor. The Generalitat Valenciana via CulturArts, in addition to the ICAA, TVE and Netflix, also have played a significant role in the production. To Greta we predict a bright future as she does very good work in her two previous films, “Embers” (2015) by Claire Carré where she plays in English and the magnificent “La próxima piel” (2016) by Isa Campo and Isaki Lacuesta. The Best TV Shows About Being in Your 30s. The screenplay was written by the director with Mario Fernández Alonso. With María Pedraza, Pol Monen, Natalia Tena, Greta Fernández. Please subscribe to our newsletter to receive more stories like this directly in your inbox. First incursion in the feature film of its director Esteban Crespo, responsible for one of the most awarded short films in the history of Spanish cinema: “Aquel no era yo (That wasn’t me)” (2012) with more than 94 national and international awards including a nomination to the Oscar for the Best Live Action Short Film and the 2013 Goya Award in the same category. Esteban Crespo (Madrid, 1971) wrote the screenplay for Amar [+see also: trailerinterview: Esteban Crespofilm profile] years ago, but as he couldn’t make it into a film, he extracted a couple of scenes and used them to make his first short films back in 2005: Siempre quise trabajar en una fábrica and Amar.



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